Tuesday, September 23, 2008

The Homemade Toy Pano

I wanted to call it a Pano Holga, but technically I didn't use a Holga. So I've had this in my head for awhile, after reading about someone who made a camera from a Holga and an old 35mm Mimslo 3D camera in Adventures with Pinhole and Homemade Cameras (page 58). The biggest issue I had was that most of those old 3D cameras are not particularly cheap, and they are made of metal. Taking one apart, and cutting out the front, would not be fun, especially with my limited tools at hand. So I held onto the idea for awhile.
There is this great series of magazine/kits from Japan called Gakken. I had previously bought a pinhole camera kit produced by them.


Neat camera...came with a lens as well so you can use it as a regular 35mm camera. More recently, they released a kit pinhole 3D/pano camera...which I had to have, of course.


Again, this is a kit, so I put this together from a box of parts and an instruction sheet all in Japanese. It was actually relatively easy to assemble...only a few gears and such, and none of the typical Ikea "one part doesn't fit right" syndrome. Right off, I knew this was an ideal base for my Pano Holga. But I've had it for a year...I couldn't decide if I wanted to sacrifice such a cool little camera to my project. I've only used it once, though. Nice results, but I'm just too lazy to do pinhole stuff on a regular basis. This is a shot of an abandoned house taken in pinhole panoramic mode.


Nice stuff, and you get an idea of how long the image really is with this pano. I think I actually cropped some dark from the sides as well. I finally decided I really wanted to make this camera.
First thing was to take the pinhole apart. I wanted to do it without ruining anything, so I pretty much had to reverse back to halfway built and then reattach some stuff.


Now for the Holga. Well, I have two, a 120SF and a 120GN. I didn't want to ruin the flash connection on the 120SF, so that was out. I haven't used my 120GN yet, so that was out as well. I do have some extra Holga lens elements, but I really want a shutter mechanism and the ability to focus. Hmmm...
Last Spring, I ordered a bunch of plastic cameras from mainland China. You rarely see these outside of China, so most people probably don't know that the Holga isn't all that original. The design seems to be taken from a basic camera design used frequently with cheapo Chinese 120 cameras. I now have about six variations on this design...they all look pretty much like the Holga, except for the shutter release mechanism. And they pull apart just like a Holga. Three screws on the inside and you have the front off. I decided to use one of these as they generally produce the same results as the holga (maybe a bit softer and blurrier for some). I decided to use this one, as it is missing the stickers from the front.


See? Looks like a Holga with chrome. Here is a shot taken with the camera.


Can't believe I couldn't wait three seconds for the truck to drive by. Oh well. But you see it has great blur...should fall off nicely along the edges of a 35mm pano shot. So I removed the three screws to get the lens and shutter.


Then I built my camera! First I had to cover that open area on the pano camera.


I used two layers of double-sided tape to bring the level up and to stick the front on.



You can see what I'm going for here...


Needed to raise up the front and create an area to stick the front to the body (using more double-sided tape).




I was really hoping to not use much black electrical tape, but the camera wasn't just a little leaky...it was a lot leaky. That double-sided foam tape is practically transparent. Light shines right through it. So tape it I did. Stuck the front on with more double-sided. I wanted it to be firm so the front wouldn't pop off when I fired the shutter.


More tape and we have a working camera! A little camera porn for you.




Here you see how long the image is. About 2.5 times the length of a regular 35mm shot.


The advancing mechanism on top shows you when to stop turning the knob. That little black knob with the notch goes one full rotation per shot. No counter, but you just stop shooting when the film stops advancing. Rewind with the other knob. Easy enough!


Has a tripod mount, which is useful for pinholes, of course.


There she is...my new Qumei 35mmm Pano. And the focal length is the same as the original toy, so no focusing worries.


Not pretty but she's great in bed. I hope...I haven't actually taken her to bed yet. I'm going to California for a couple days next week, will take it for a spin. Also have a new Kowa Six to try out. And I found a copy of the instruction booklet for my Polaroid 180. So now I finally understand the EV system. So simple, it's like 'duh', but I learn new things all the time. Now I can mess around with wider apertures on my 180 and 195 without wasting polas trying to set the exposure.
So check back for results! In the future, I plan on reviewing the Kowa Six, and comparing the 180 and 195. I also am expecting a Black Bird Fly in the next few...another new camera to use! AND...geez, I need to stop...I picked up a Polaroid Spectra with three packs of film for seven bucks! More camera goodness. Until whenever...

Friday, September 12, 2008

Note to self...

Don't put Polaroids in the microwave while developing. They burn...and fast.


But...that is kind of cool.


Okay, maybe one more time.



First ambiguous hentai in a long while...


Okay, I've stunk up my condo enough for one day (and probably given myself cancer). Oh, and if you were wondering, this is what happens when you peel a Polaroid the moment you pull it from the camera, then restick it back together and let it develop. Fun stuff.


Big stuff in the wings...big, big stuff. Well, maybe not that big. Keep checking back!

Tuesday, September 02, 2008

The forgotten Polaroid

Just a short post today. Soon I'll be writing something up on 126 film and cameras, but for now...I was out shooting a couple weeks ago and managed to lose a Polaroid under the seat of my truck -- unpeeled. So I discovered it recently when I was cleaning up. It was completely dried up. I had to force peel it and all I got was a Polaroid covered with hard, black goop. Well, after messing around a bit, I ended up with this:


So, how did I do it? Well, I was digging through my box of Polaroids this morning and found this (ID-UV shot with a Colorpack III)...


Same thing happened. Left it my car (I think for a month at least) unpeeled, found it, peeled it, and got mostly black stuff. Nice, so now I can show you what I did! Very easy, a no-brainer really. Filled the sink with water and let it soak for a couple hours.


It softens up the dried up developer into a nice, slimy sheet...


...which can then be peeled off.


Simple as that! Rinse it off for good measure.


Let it dry for a couple hours.


And there you have it. Forgotten and re-remembered.



Decent effect, really. Also, it gets little water blisters on it that collapse when it dries. I may see how long I can actually soak a Polaroid, what happens... I assume that this would be a way to do transfers? Soak it long enough until the emulsion slides off...have to mess about a bit more in the future.
Again, soon a post on the mysterious 126 film and my (so far unsuccessful) attempts to make new 126 film. Until then!

Wednesday, August 13, 2008

Randomusings

Get it? Like, random and musings together? They don't call me Wordsworth for nothing (meaning they don't call me Wordsworth). Anyway, so this post is just some random Polaroid stuff, because I've only done a few little things and not anything grand.
First up, a little follow-up on the Polaroid Box camera. I had it in my car for a day, probably at 115+, so when I went out in the desert to shoot, the tape had peeled off, so I only got a couple leaky shots like this:



Pretty colors, but that's about it. It was also overexposing (and I noticed the shutter was slower when fired in direction versus the other). So I messed around with it a bit when I got home. First I made a smaller aperture for it, thinking that maybe reducing the light would darken the image. I just used a hole punch, so that was the size of the aperture. The image was darker, but it did exactly what I expected.


Big vignette. Owell. Funny thing is, I'm building one of these for my friend sol, and I just noticed that the box camera has an aperture lever thing. Doh. But it's dark right now so I can't try it out.
So basically this is what you get when you shoot with the wide aperture.


Interesting colors, but very washed out. Boring picture, but it's just a test shot. I tried a couple darker filters and the shots came out muddy and ugly. On a whim, I tried a yellow filter, which is supposed to make clouds pop out from the sky.


Hey, that actually kind of works! Sharpened the image, colors are bit more accurate, just the right amount of density to bring down the exposure. So now I just need to mess around with it when there is something interesting to shoot.
Next up, I finally decided to use the Polaroid Big Swinger 3000 that's been sitting on my shelf for two years. As the name suggests, it only uses 3000 speed film, or Type 667 (and Fuji FP-3000B).


Neat camera, really. Looks great, very 1960s glam. Fixed focus, as that's how 3000 is shot, unless you are using a 180 or 195. Interesting exposure method. I can't take a picture of it, but under the viewfinder is a red window. You look into the red window, squeeze the red around the shutter button, and twist until the word "OKAY" appears most clear over a checkerboard pattern. This is the only Polaroid I've ever used that has a meter for the light/dark knob. Other than that, you aim and shoot. I took some shots out in the desert with it...





Nice results. Has a bit of vignette and some bluring along the edges. Cheap plastic lens, I'm guessing...cool with me. There didn't seem to be much difference in darkness regardless of where the camera told me to set the knob, so I took one shot at full dark setting.



That made a difference. Guess the camera knows what it is doing. Or not. I took this shot (on the Yavapai reservation) according to the camera settings.


Must have been metering to the sky. I still kind of like it but bright sky and dark below. This is a bizarre batch of 667 I have, as well. Lots of sepia in it and a texture. The goop sides are very mottled, too.


I ordered some Fuji FP-3000B since I haven't used it before and I want my 667 to last. It's getting much more difficult to find. Sigh.
Last for now, I went to a local camera store today and they had one left. One lone Square Shooter 2...in a box with instructions. So I bought it for $6.


It doesn't take 3000 speed film, so I think all I have to use in it is Chocolate. So next weekend I'll try it out, see what it do...
It came with some junk in the box. Another set of instructions. I won't post the entire thing as it's mostly the same as the others I have. There are a couple pages that entertain me.


I mean, what can I say? It's all about the hair. The woman in the top shot, her beehive looks like it was formed by the drier. The giant with the frizz in the bottom shot...I can't even think of anything to say. She says it all. And this guy:


Hey, wanna buy a Polaroid? I'll give you a good price. Best Polaroid around. I like the fact that he is wearing a pinstripe suite and a hunting jacket.
This is the most interesting "Do not litter" statement I've seen in a Polaroid book. They are obviously very aware of the mountains of garbage that Polaroid packs produce.


And just a completely random shot, taken from a completely random instruction book that was in the Square Shooter box for the Kodak Instamatic 44 camera.


If that photo doesn't date the camera. Oh, and for some reason I found this amusing, from the Polaroid instruction booklet:


The comment about taking a fifth shot with a four-flash cube made me giggle like a little girl. It doesn't take much with me.
So that's it for now, I guess. I'm going out to shoot next week, will see what comes of that. Later, taters.

(edit: follow-up) I used the built-in aperture slide on my Polaroid box camera (that I hadn't noticed initially), which reduces the aperture to about half the size, it looks like. Seems like that was all it took! Almost maybe a little dark, but I'll have to mess around a bit more.


Simple as that. Funny how the obvious isn't always so obvious.